Critical Horizons - On Art Criticism in China
A text I recently wrote for the Asia Art Archive newsletter:
The most frequently heard refrain around the proverbial water cooler of the Chinese contemporary art world (next to the lament that there are no real curators) is that there are no real art critics. This position has been widely echoed in international art circles where every year we hear the exhortation that criticism is dead and then a panel is quickly thrown together (usually at an art fair) to discuss the ‘crisis in art criticism’. But while in the West people seem to lament the relevance or efficacy of art criticism, we inside Asia seem hard-pressed to locate it in the first place. Leaving the aside the question....
for full text go here
The most frequently heard refrain around the proverbial water cooler of the Chinese contemporary art world (next to the lament that there are no real curators) is that there are no real art critics. This position has been widely echoed in international art circles where every year we hear the exhortation that criticism is dead and then a panel is quickly thrown together (usually at an art fair) to discuss the ‘crisis in art criticism’. But while in the West people seem to lament the relevance or efficacy of art criticism, we inside Asia seem hard-pressed to locate it in the first place. Leaving the aside the question....
for full text go here

